Twitter favourite button and meaning of symbols

Twitter changed their favourite button from a star to a heart. According to them, their test groups loved it. Perhaps it makes more sense to new users. Perhaps it reflects our contemporary culture where Facebook sets the standards with their ubiquitous like-button. Maybe, in the long rung, the change might be a good thing from an UI/UX perspective. But several people have expressed that they feel uncomfortable with the change. They note that favouriting something is not the same as loving. While others might not see what the fuss is about. After all, stars are also often used to express love and admiration.

What I find interesting is how, with this seemingly simple change, Twitter has hijacked and distorted the past actions of their millions of users. Because a rose is not a rose by any other symbol.

I think the main problem here is not just that the symbols – or signs to be specific – would have different meanings, but that they differ in the range of their meanings. A heart is more monosemic while a star is more polysemic. Monosemic sign has a unique meaning that everyone agrees on. Like our everyday Indo-Arabic numerals: we do not need to have a debate about what 3 means. In contrast, a polysemic sign has multiple meanings, leaving its interpretation somewhat ambiguous and subjective. We could also talk about pansemic signs, like abstract art, which do not have any precise meanings but are completely subjective. (Read more about this, for example, in Jaques Bertin’s Semiology of Graphics.)

Some treat these three as distinct categories, but I think it’s better to see these as points, or areas, with fuzzy boundaries on a continuum. Even the basic numerals can mean different things depending on the context. Mostly they are clear and unambiguous, but there are occasions where they take on numerological, mystical, or metaphorical meanings. For example, think about trinities in many religions, a 1% badge, or 88 which can be used to express good luck, love and kisses, or xenophobia and hate.

So I wouldn’t say that a heart is fully monosemic. It can have some different meanings. But among these meanings, at least in today’s Western culture, the link with love is quite dominating.

In comparison, the star does not seem to have such a strong link to any single meaning. Instead, it can be used in a variety of different ways. It can be used to express love and admiration, but it can also be to simply mark something as important.

This latter meaning has been reinforced in recent decades by software and web interfaces. The star has been a symbol of bookmarking in Chrome, Firefox, and other browsers. Also in Gmail you can mark messages with stars to signal that they are ‘important or to indicate that you need to reply to them later’.1

This is far from loving things. There might be content that you would never ever endorse, but might want to bookmark. Actually, you might sometimes bookmark content because you vehemently oppose it. For example, you want to show the unbelievable stupidity to other people, or you want to store it for criticising it later.

No wonder some people are rattled. Suddenly Twitter claims that they love things that they merely bookmarked in the past. Of course, to those who always saw the star button as comparable to ‘like’ on Facebook, the symbol change does not make a big difference.

I myself belong to the first group. The change made me feel horrible. I wasn’t even sure what was in my old favourites, but I just didn’t want to take a chance that there was something I object to.

And by hijacking my past actions, Twitter suddenly turned into one of the bad guis. I felt similar disgust towards them than I do towards politicians who promise something before the elections and then do the opposite when they are in power. While Twitter’s actions are hardly as significant to what happens in politics, there are similarities. Both cases are about distorting past opinions of their supporters/users.

The solution? Delete all past favourites. You can do this individually by clicking them, or you can use something like unfavinator to delete them in bulk. Googling will also offer you other alternatives.

  1. Of course, this is not an universal UI convention. For example, the Character viewer in OS X is the opposite, using the heart symbol for Favourites. []

Satanic deed for collecting souls on Halloween

Happy Halloween everyone! Have you ever wondered what typeface Satan would use? No? While this might seem like a trivial question to you, for a graphic designer who wants to dress up as Lucifer himself, this is of course a crucial issue. And now that I have solved this, I may as well let all you Printer’s Devils enjoy it too. So be my guest and download your very own contract (deed) for selling your soul to the devil for free.

I have formatted it so that you can print 2 copies on an A4 sheet and then cut off the white edges leaving just the deed with the parchment background. The quality should be enough for any basic home or office printer.

Download deed for selling soul full colour version here (pdf, 665 kB)
(Coincidentally, nice file size, eh!)

Download deed for selling soul grayscale version here (pdf, 596 kB)

 

The text is original by me, and I hereby release it under Creative Commons Attribution-NonCommercial 4.0 International License. Feel free to use the deed to amuse you, your family, and your friends. If you want to share this online, go ahead, but I would appreciate a mention of the origin and if possible also a link back to here. The background image is from atextures.com, which also prevents this being used commercially.

I tried to word it so that it shouldn’t offend or scare anyone too much. It has clauses that are made to be humorous, but should also actually clarify possible legal questions. Also I tried pre-empting some of the debates that it might cause. Like it has an escape clause for the event that there are no souls. It makes clear while it deals in immaterial things (‘souls’) this does not affect other immaterial rights like copyright. And as the Prince of Darkness is a sly one, it only hints at people receiving wealth and sex in exchange for this deed. So you don’t end up with the pressure of actually delivering anything. Of course, it’s totally up to you and your resources if you actually wish to deliver some of these…

The full text of the deed reads as follows:

DEED

I, …………  hereby relinquish my soul (my incorporeal essense) to the holder of this deed, to be collected after my death.

  • 1. I retain full possession of my soul as long as I am alive, no matter however so slightly.
  • 2. This deed does not affect any copyright, immaterial, or other earthly rights, recognized by human courts, before or after my death.
  • 3. I take no responsibility about whether my soul does or does not exist. I am not liable in the case there is nothing to collect.
  • 4. Similarly, I acknowledge that in exchange for signing this deed I might or might not receive immeasurable earthly riches, debauchery, and whatever I desire. (But it could happen!)

Signed ……………

In case you or your victims are worried about any legal issues, you can have people sign this with just their first names or even nicknames. You can tell them that, ‘it doesn’t really matter because we know who you are, mwhahaa!’ Another good idea is to burn the deeds after signing if you’re outdoors or have a fireplace or something. This will add a nice theatrical effect – call it something like sending it to hell or archiving it in fire. It at the same time ‘validates’ the contract for HELL and nullifies it for earthly law.

If you are wondering what is the difference between a contract / agreement and a deed, it’s quite simple. A contract would be signed by both parties. A deed is kind of one-way action, and thus it is signed only by one person. Like in this case, the signatory is just giving something away which doesn’t require the consent of the receiving party.

And the typeface issue? Well, I didn’t want to spend too much time on this one, so I kept it simple. At first I thought it should be Didot or Bodoni, because Satan is basically a dandy. And then it needs a drop of blackletter to signify the gravity – and perhaps also the Christian roots of the concept – of the soul. (I know, it’s a cliché, but it works.)

Go and conquer the world childrren of daaarrknessh!

But the combination of a Didone and the background image is not the most readable. I thought that in a Halloween party or club the lights will be dim and perhaps coloured. So best to make it as readable as possible. So instead went for good old Caslon. As they say, when it doubt, set it in Caslon. Caslon is very readable but it also has nice blackness, gravity, and a slight air of an older world.

R.I.P. Adrian Frutiger

I was saddened to hear today about the death of Adrian Frutiger (24 May 1928 – 12 Sep 2015). It was all over the internet, but I waited until people like Adam Twardoch wrote about it until I believed it. On the other hand, especially if you didn’t know him personally, this is a good occasion to celebrate his amazing work. (After all, why mourn the inevitable. Old people have to die at some point.)

I’ve used many of his fonts in my work. But more than anything I’ve had to use Univers over and over. It’s one of those common information graphic fonts, alongside Helvetica and others. Because of this ubiquitousness it is a bit bland and boring. At the same time, I have to admit that it just works. The number of different variants in the family ensure that it will accommodate both tight and spacious areas while staying clear and readable. And you’ll still always have typographic unity in your work.

If you’re just starting on the path of infographics and are troubled by what fonts to use, Univers is one easy answer. Stop wasting your time trying to find the most hip or efficient font. Just grab something like 47, 57, 67 (and maybe the oblique variants) and save your energy for more important matters.

Ps. Yes, many of those rips (especially full stops) still need kerning. Can’t be bothered, there are too many of them. I’m going to invoke the spirit of modernism and claim that “machines know best”.